Samuel Palmer

1805-1881 British Samuel Palmer Galleries English painter, draughtsman and etcher. Palmer was a key figure of English Romantic painting who represented, at least in his early work, its pastoral, intuitive and nostalgic aspects at their most intense. He is widely described as a visionary and linked with his friend and mentor William Blake, though he stood at an almost opposite extreme in his commitment to landscape and his innocent approach to its imagery. He had none of Blake irony or complexity and was inspired by a passionate love of nature that found its philosophical dimension in unquestioning Neo-Platonism.
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Samuel Palmer The Harvest Moon oil


The Harvest Moon
Painting ID::  26391 		The Harvest Moon
mk49 1833 Oil and tempera with graphite on paper laid down on panel 22.1x27.7cm
   
   
     
Samuel Palmer A Cornfield Bordered by Trees oil


A Cornfield Bordered by Trees
Painting ID::  26392 		A Cornfield Bordered by Trees
mk49 c.1833-4 Oil and tempera on panel 17.1x14.5cm
mk49 c.1833-4 Oil_and_tempera_on_panel 17.1x14.5cm
   
   
     
Samuel Palmer The Weald of Kent oil


The Weald of Kent
Painting ID::  26393 		The Weald of Kent
mk49 c.1833-4 Indian ink, watercolour and gouache,with pen,Indian ink and gum arabic on heavy paper 18.7x27.1cm
   
   
     
Samuel Palmer The Timber Wain oil


The Timber Wain
Painting ID::  26394 		The Timber Wain
mk49 c.1833-4 Watercolour and gouache 12.7x15.5cm
mk49 c.1833-4 Watercolour_and_gouache 12.7x15.5cm
   
   
     
Samuel Palmer The Golden Valley oil


The Golden Valley
Painting ID::  26395 		The Golden Valley
mk49 c.1833-4 Watercolour and gouache with graphite pen and ink,and scratching out 12.7x16.5cm
   
   
     
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     Samuel Palmer
     1805-1881 British Samuel Palmer Galleries English painter, draughtsman and etcher. Palmer was a key figure of English Romantic painting who represented, at least in his early work, its pastoral, intuitive and nostalgic aspects at their most intense. He is widely described as a visionary and linked with his friend and mentor William Blake, though he stood at an almost opposite extreme in his commitment to landscape and his innocent approach to its imagery. He had none of Blake irony or complexity and was inspired by a passionate love of nature that found its philosophical dimension in unquestioning Neo-Platonism.

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